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		<title><![CDATA[clovenhooves - Women in Art]]></title>
		<link>https://clovenhooves.org/</link>
		<description><![CDATA[clovenhooves - https://clovenhooves.org]]></description>
		<pubDate>Wed, 06 May 2026 13:29:38 +0000</pubDate>
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			<title><![CDATA[Remedios Varo: Spanish Painter of Magic]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1838</link>
			<pubDate>Tue, 30 Dec 2025 17:32:31 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=472">Magpie</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1838</guid>
			<description><![CDATA[<a href="https://www.dailyartmagazine.com/remedios-varo-painter-of-magic/" target="_blank" rel="noopener" class="mycode_url">https://www.dailyartmagazine.com/remedios-varo-painter-of-magic/</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Remedios Varo (1908-1963) was a 20th-century Surrealist painter. Born in Spain, she was forced to move to France and Mexico to escape the Spanish Civil War and World War II. However, it also allowed her to meet the Surrealists, such as Benjamin Péret and Leonora Carrington. One can never be sure what is happening in her paintings; there is always a sense of mystery. Her works are a window to a fantastical and enigmatic world full of magical creatures.</blockquote>
<br />
One of her artworks, "Creation of the Birds":<br />
<br />
<img src="https://cdn.sanity.io/images/cxgd3urn/production/e599b71f8e69324178555336ddd423d0153f24d3-1230x1032.jpg?w=1200&amp;h=1007&amp;q=85&amp;fit=crop&amp;auto=format" loading="lazy"  alt="[Image: e599b71f8e69324178555336ddd423d0153f24d3...uto=format]" class="mycode_img" />]]></description>
			<content:encoded><![CDATA[<a href="https://www.dailyartmagazine.com/remedios-varo-painter-of-magic/" target="_blank" rel="noopener" class="mycode_url">https://www.dailyartmagazine.com/remedios-varo-painter-of-magic/</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Remedios Varo (1908-1963) was a 20th-century Surrealist painter. Born in Spain, she was forced to move to France and Mexico to escape the Spanish Civil War and World War II. However, it also allowed her to meet the Surrealists, such as Benjamin Péret and Leonora Carrington. One can never be sure what is happening in her paintings; there is always a sense of mystery. Her works are a window to a fantastical and enigmatic world full of magical creatures.</blockquote>
<br />
One of her artworks, "Creation of the Birds":<br />
<br />
<img src="https://cdn.sanity.io/images/cxgd3urn/production/e599b71f8e69324178555336ddd423d0153f24d3-1230x1032.jpg?w=1200&amp;h=1007&amp;q=85&amp;fit=crop&amp;auto=format" loading="lazy"  alt="[Image: e599b71f8e69324178555336ddd423d0153f24d3...uto=format]" class="mycode_img" />]]></content:encoded>
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			<title><![CDATA[Why we pay less for art by women]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1701</link>
			<pubDate>Wed, 19 Nov 2025 14:55:24 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=123">hatpin</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1701</guid>
			<description><![CDATA[By Lianne Kolirin (CNN)<br />
<br />
A self-portrait by Mexican artist Frida Kahlo is expected to break records when it goes up for auction in New York this week.<br />
<br />
The surrealist painting, being sold on November 20 by a private collector, is generating a frenzy of excitement, with experts predicting it could become the most expensive work by a female artist ever sold. That record is currently held by Georgia O’Keeffe’s 1932 painting “Jimson Weed/White Flower No.1,” which fetched &#36;44.4 million in 2014.<br />
<br />
Auctioneers at Sotheby’s have valued “El sueño (La cama)” — “The Dream (The Bed)” — at between &#36;40 and &#36;60 million. Kahlo, who died in 1954, already holds the second-highest auction record for a female artist. “Diego y yo” (“Diego and I”), a self-portrait from 1949, featuring her husband, the artist Diego Rivera, fetched &#36;34.9 million in 2021.<br />
<br />
While these are hefty price tags, they are dwarfed by the equivalent for works by men. Even if Kahlo’s painting hits the upper valuation, it will be just a fraction of the male record. Leonardo da Vinci’s “Salvator Mundi” sold for an astounding &#36;450.3 million at Christies in 2017.<br />
<br />
(article with photos at link) <a href="https://archive.ph/f7LhA" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/f7LhA</a>]]></description>
			<content:encoded><![CDATA[By Lianne Kolirin (CNN)<br />
<br />
A self-portrait by Mexican artist Frida Kahlo is expected to break records when it goes up for auction in New York this week.<br />
<br />
The surrealist painting, being sold on November 20 by a private collector, is generating a frenzy of excitement, with experts predicting it could become the most expensive work by a female artist ever sold. That record is currently held by Georgia O’Keeffe’s 1932 painting “Jimson Weed/White Flower No.1,” which fetched &#36;44.4 million in 2014.<br />
<br />
Auctioneers at Sotheby’s have valued “El sueño (La cama)” — “The Dream (The Bed)” — at between &#36;40 and &#36;60 million. Kahlo, who died in 1954, already holds the second-highest auction record for a female artist. “Diego y yo” (“Diego and I”), a self-portrait from 1949, featuring her husband, the artist Diego Rivera, fetched &#36;34.9 million in 2021.<br />
<br />
While these are hefty price tags, they are dwarfed by the equivalent for works by men. Even if Kahlo’s painting hits the upper valuation, it will be just a fraction of the male record. Leonardo da Vinci’s “Salvator Mundi” sold for an astounding &#36;450.3 million at Christies in 2017.<br />
<br />
(article with photos at link) <a href="https://archive.ph/f7LhA" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/f7LhA</a>]]></content:encoded>
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			<title><![CDATA[Katsushika Oi: The Hidden Hand of Hokusai’s Daughter]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1625</link>
			<pubDate>Thu, 16 Oct 2025 21:05:51 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=472">Magpie</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1625</guid>
			<description><![CDATA[<a href="https://japanobjects.com/features/katsushika-oi" target="_blank" rel="noopener" class="mycode_url">https://japanobjects.com/features/katsushika-oi</a><br />
<a href="https://archive.ph/PYZpT" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/PYZpT</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Oi’s artistic career was - and will probably always be - overshadowed by her father’s legacy. From the outset it doesn’t seem like a situation Oi was actively avoiding, but rather something of a duty, this attitude is evident later on in her career when she went to work for her father and assist him in his old age. <br />
<br />
Hokusai, however, would have been the first to admit that in many artistic pursuits his daughter’s work outshone his. In her blog piece, Davis quotes Hokusai as saying “when it comes to paintings of beautiful women, I can’t compete with her – she’s quite talented and expert in the technical aspects of painting.” </blockquote>
<br />
<br />
<img src="https://images.squarespace-cdn.com/content/v1/58fd82dbbf629ab224f81b68/1550203979268-L982PVUNDZJGFAP7W05E/Katsushika-Oi-Cherry-Blossoms-at-Night.jpg?format=2500w" loading="lazy"  alt="[Image: Katsushika-Oi-Cherry-Blossoms-at-Night.jpg?format=2500w]" class="mycode_img" />]]></description>
			<content:encoded><![CDATA[<a href="https://japanobjects.com/features/katsushika-oi" target="_blank" rel="noopener" class="mycode_url">https://japanobjects.com/features/katsushika-oi</a><br />
<a href="https://archive.ph/PYZpT" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/PYZpT</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Oi’s artistic career was - and will probably always be - overshadowed by her father’s legacy. From the outset it doesn’t seem like a situation Oi was actively avoiding, but rather something of a duty, this attitude is evident later on in her career when she went to work for her father and assist him in his old age. <br />
<br />
Hokusai, however, would have been the first to admit that in many artistic pursuits his daughter’s work outshone his. In her blog piece, Davis quotes Hokusai as saying “when it comes to paintings of beautiful women, I can’t compete with her – she’s quite talented and expert in the technical aspects of painting.” </blockquote>
<br />
<br />
<img src="https://images.squarespace-cdn.com/content/v1/58fd82dbbf629ab224f81b68/1550203979268-L982PVUNDZJGFAP7W05E/Katsushika-Oi-Cherry-Blossoms-at-Night.jpg?format=2500w" loading="lazy"  alt="[Image: Katsushika-Oi-Cherry-Blossoms-at-Night.jpg?format=2500w]" class="mycode_img" />]]></content:encoded>
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			<title><![CDATA[Suzanne de Court’s Enamel Masterpieces]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1596</link>
			<pubDate>Wed, 08 Oct 2025 19:28:47 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=472">Magpie</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1596</guid>
			<description><![CDATA[<a href="https://www.dailyartmagazine.com/suzanne-de-courts-enamel-masterpieces/" target="_blank" rel="noopener" class="mycode_url">https://www.dailyartmagazine.com/suzanne-de-courts-enamel-masterpieces/</a><br />
<a href="https://archive.ph/mXAYJ" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/mXAYJ</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Who Was Suzanne de Court?<br />
Unfortunately, information about Suzanne de Court’s life and work is scarce but she certainly lived between the late 16th and early 17th centuries. Judging by her last name and profession, she could have been the daughter of Jean de Court (1530-1584), who owned a workshop of enamel pieces in Limoges, France. Another hypothesis is that she was related to the De Court family by marriage. According to the British Museum, the lack of records is due to her protestant faith (Huguenots) which kept her off Catholic baptismal registers. In any case, there are records of her name as the head of the workshop, as well as pieces signed with her name. So far, she is the only woman documented to have occupied that position.</blockquote>
<br />
<br />
<img src="https://www.dailyartmagazine.com/wp-content/uploads/2023/03/MinervaMuses.jpg" loading="lazy"  alt="[Image: MinervaMuses.jpg]" class="mycode_img" />]]></description>
			<content:encoded><![CDATA[<a href="https://www.dailyartmagazine.com/suzanne-de-courts-enamel-masterpieces/" target="_blank" rel="noopener" class="mycode_url">https://www.dailyartmagazine.com/suzanne-de-courts-enamel-masterpieces/</a><br />
<a href="https://archive.ph/mXAYJ" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/mXAYJ</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Who Was Suzanne de Court?<br />
Unfortunately, information about Suzanne de Court’s life and work is scarce but she certainly lived between the late 16th and early 17th centuries. Judging by her last name and profession, she could have been the daughter of Jean de Court (1530-1584), who owned a workshop of enamel pieces in Limoges, France. Another hypothesis is that she was related to the De Court family by marriage. According to the British Museum, the lack of records is due to her protestant faith (Huguenots) which kept her off Catholic baptismal registers. In any case, there are records of her name as the head of the workshop, as well as pieces signed with her name. So far, she is the only woman documented to have occupied that position.</blockquote>
<br />
<br />
<img src="https://www.dailyartmagazine.com/wp-content/uploads/2023/03/MinervaMuses.jpg" loading="lazy"  alt="[Image: MinervaMuses.jpg]" class="mycode_img" />]]></content:encoded>
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			<title><![CDATA[The Beautiful Portraiture of Cecilia Beaux]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1532</link>
			<pubDate>Thu, 11 Sep 2025 21:02:40 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=472">Magpie</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1532</guid>
			<description><![CDATA[<a href="https://www.dailyartmagazine.com/portraiture-of-cecilia-beaux/" target="_blank" rel="noopener" class="mycode_url">https://www.dailyartmagazine.com/portraiture-of-cecilia-beaux/</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Cecilia Beaux was the Pennsylvania Academy of the Fine Arts’ first full-time female professor. She was also a member of the National Academy of Design. She won many accolades in the U.S. and Europe, including medals at the Paris Exposition Universelle of 1900. Beaux received two honorary college degrees, and Eleanor Roosevelt named her “the American woman who had made the greatest contribution to the culture of the world” in 1933. She was an independent and successful woman at a time when that wasn’t typical.</blockquote>
<br />
Below is a self-portrait she made in 1894:<br />
<br />
<img src="https://upload.wikimedia.org/wikipedia/commons/5/5e/Cecilia_Beaux_self-portrait.jpg" loading="lazy"  alt="[Image: Cecilia_Beaux_self-portrait.jpg]" class="mycode_img" />]]></description>
			<content:encoded><![CDATA[<a href="https://www.dailyartmagazine.com/portraiture-of-cecilia-beaux/" target="_blank" rel="noopener" class="mycode_url">https://www.dailyartmagazine.com/portraiture-of-cecilia-beaux/</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Cecilia Beaux was the Pennsylvania Academy of the Fine Arts’ first full-time female professor. She was also a member of the National Academy of Design. She won many accolades in the U.S. and Europe, including medals at the Paris Exposition Universelle of 1900. Beaux received two honorary college degrees, and Eleanor Roosevelt named her “the American woman who had made the greatest contribution to the culture of the world” in 1933. She was an independent and successful woman at a time when that wasn’t typical.</blockquote>
<br />
Below is a self-portrait she made in 1894:<br />
<br />
<img src="https://upload.wikimedia.org/wikipedia/commons/5/5e/Cecilia_Beaux_self-portrait.jpg" loading="lazy"  alt="[Image: Cecilia_Beaux_self-portrait.jpg]" class="mycode_img" />]]></content:encoded>
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			<title><![CDATA[Jessica Lee Gagné Makes Emmys History By Becoming First Woman to Win for Outstanding Cinematography for a Series, 1 Hour]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1523</link>
			<pubDate>Mon, 08 Sep 2025 03:15:17 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=147">Elsacat</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1523</guid>
			<description><![CDATA[<a href="https://variety.com/2025/tv/news/severance-jessica-lee-gagne-history-emmy-cinematography-1236510692/" target="_blank" rel="noopener" class="mycode_url">https://variety.com/2025/tv/news/severance-jessica-lee-gagne-history-emmy-cinematography-1236510692/</a><br />
<br />
<a href="https://archive.ph/Iuo7O" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/Iuo7O</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Gagné had already secured a place in the history books with her nomination by becoming the first woman to be nominated in both the categories of cinematography/directing for the same drama series in the same year. </blockquote>
<br />
As a "Severance" fan, I'm so pleased to see Gagné get this recognition.]]></description>
			<content:encoded><![CDATA[<a href="https://variety.com/2025/tv/news/severance-jessica-lee-gagne-history-emmy-cinematography-1236510692/" target="_blank" rel="noopener" class="mycode_url">https://variety.com/2025/tv/news/severance-jessica-lee-gagne-history-emmy-cinematography-1236510692/</a><br />
<br />
<a href="https://archive.ph/Iuo7O" target="_blank" rel="noopener" class="mycode_url">https://archive.ph/Iuo7O</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>Gagné had already secured a place in the history books with her nomination by becoming the first woman to be nominated in both the categories of cinematography/directing for the same drama series in the same year. </blockquote>
<br />
As a "Severance" fan, I'm so pleased to see Gagné get this recognition.]]></content:encoded>
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			<title><![CDATA[Joanna Koerten’s Scissor-Cut Works Were Compared to Michelangelo]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1519</link>
			<pubDate>Fri, 05 Sep 2025 21:44:30 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=472">Magpie</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1519</guid>
			<description><![CDATA[<a href="https://daily.jstor.org/joanna-koertens-scissor-cut-works-were-compared-to-michelangelo/" target="_blank" rel="noopener" class="mycode_url">https://daily.jstor.org/joanna-koertens-scissor-cut-works-were-compared-to-michelangelo/</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>And in her day, the artist who huddled over this sheet, meticulously clipping out the negative space, was every bit as famous as those icons. Her name was Joanna Koerten, but her skill with the scissors earned her the epithet “Scissors-Minerva,” after the Roman goddess of art.<br />
“The Blok,” the museum she ran out of her house, was described by the art historian Martha Moffitt Peacock, writing in the Netherlands Yearbook for History of Art, as an “eighth wonder of the world.” Tsar Peter the Great, Cosimi de Medici, and innumerable poets and fellow artists visited there to watch her make her careful incisions. At one point, one of her diminutive paper-cuttings sold for more than Rembrandt’s monumental Night Watch. After her death, her husband published a book of poems in praise of her work; in time, the collection swelled to fill six volumes.</blockquote>
]]></description>
			<content:encoded><![CDATA[<a href="https://daily.jstor.org/joanna-koertens-scissor-cut-works-were-compared-to-michelangelo/" target="_blank" rel="noopener" class="mycode_url">https://daily.jstor.org/joanna-koertens-scissor-cut-works-were-compared-to-michelangelo/</a><br />
<br />
<blockquote class="mycode_quote"><cite>Quote:</cite>And in her day, the artist who huddled over this sheet, meticulously clipping out the negative space, was every bit as famous as those icons. Her name was Joanna Koerten, but her skill with the scissors earned her the epithet “Scissors-Minerva,” after the Roman goddess of art.<br />
“The Blok,” the museum she ran out of her house, was described by the art historian Martha Moffitt Peacock, writing in the Netherlands Yearbook for History of Art, as an “eighth wonder of the world.” Tsar Peter the Great, Cosimi de Medici, and innumerable poets and fellow artists visited there to watch her make her careful incisions. At one point, one of her diminutive paper-cuttings sold for more than Rembrandt’s monumental Night Watch. After her death, her husband published a book of poems in praise of her work; in time, the collection swelled to fill six volumes.</blockquote>
]]></content:encoded>
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			<title><![CDATA[Maya Deren, avant-garde filmmaker]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1352</link>
			<pubDate>Sat, 05 Jul 2025 14:19:05 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=472">Magpie</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1352</guid>
			<description><![CDATA[Maya Deren (born Eleonora Derenkovskaya) was a filmmaker, as well as a choreographer, dancer, film theorist, poet, lecturer, writer and photographer. Her debut, Meshes of the Afternoon, was one of the most influential experimental films in American cinema. The main collaborators on her films were her second husband Alexander Hammid and cinematographer Hella Heyman.<br />
<br />
Further reading: How Maya Deren Became the Symbol and Champion of American Experimental Film: <a href="https://www.newyorker.com/culture/the-front-row/how-maya-deren-became-the-symbol-and-champion-of-american-experimental-film" target="_blank" rel="noopener" class="mycode_url">https://www.newyorker.com/culture/the-front-row/how-maya-deren-became-the-symbol-and-champion-of-american-experimental-film</a> <br />
<br />
Works:<br /><ul class="mycode_list"><li>Meshes of the Afternoon: <a href="https://www.youtube.com/watch?v=JoETYvwI7I0" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=JoETYvwI7I0</a> (14 min)<br />
</li>
<li>At Land: <a href="https://www.youtube.com/watch?v=EvafmE3Lel0" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=EvafmE3Lel0</a> (14 min 50 sec)<br />
</li>
<li>A Study in Choreography for Camera: <a href="https://www.youtube.com/watch?v=h3W9yFHaVGI" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=h3W9yFHaVGI</a> (2 min 8 sec)<br />
</li>
<li>The Private Life of a Cat: <a href="https://www.youtube.com/watch?v=l1HRdBafWEQ" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=l1HRdBafWEQ</a> (22 min) Note: she was uncredited for this film.<br />
</li>
<li>Ritual in Transfigured Time: <a href="https://www.youtube.com/watch?v=P86jPAHOvG4" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=P86jPAHOvG4</a> (14 min 26 sec)<br />
</li>
<li>Meditation on Violence: <a href="https://www.youtube.com/watch?v=BmVQ3YcMUuc" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=BmVQ3YcMUuc</a> (12 min 25 sec)<br />
</li>
<li>The Very Eye of Night: <a href="https://www.youtube.com/watch?v=u6ppBqHIb6Y" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=u6ppBqHIb6Y</a> (14 min 36 sec)<br />
</li>
</ul>
]]></description>
			<content:encoded><![CDATA[Maya Deren (born Eleonora Derenkovskaya) was a filmmaker, as well as a choreographer, dancer, film theorist, poet, lecturer, writer and photographer. Her debut, Meshes of the Afternoon, was one of the most influential experimental films in American cinema. The main collaborators on her films were her second husband Alexander Hammid and cinematographer Hella Heyman.<br />
<br />
Further reading: How Maya Deren Became the Symbol and Champion of American Experimental Film: <a href="https://www.newyorker.com/culture/the-front-row/how-maya-deren-became-the-symbol-and-champion-of-american-experimental-film" target="_blank" rel="noopener" class="mycode_url">https://www.newyorker.com/culture/the-front-row/how-maya-deren-became-the-symbol-and-champion-of-american-experimental-film</a> <br />
<br />
Works:<br /><ul class="mycode_list"><li>Meshes of the Afternoon: <a href="https://www.youtube.com/watch?v=JoETYvwI7I0" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=JoETYvwI7I0</a> (14 min)<br />
</li>
<li>At Land: <a href="https://www.youtube.com/watch?v=EvafmE3Lel0" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=EvafmE3Lel0</a> (14 min 50 sec)<br />
</li>
<li>A Study in Choreography for Camera: <a href="https://www.youtube.com/watch?v=h3W9yFHaVGI" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=h3W9yFHaVGI</a> (2 min 8 sec)<br />
</li>
<li>The Private Life of a Cat: <a href="https://www.youtube.com/watch?v=l1HRdBafWEQ" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=l1HRdBafWEQ</a> (22 min) Note: she was uncredited for this film.<br />
</li>
<li>Ritual in Transfigured Time: <a href="https://www.youtube.com/watch?v=P86jPAHOvG4" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=P86jPAHOvG4</a> (14 min 26 sec)<br />
</li>
<li>Meditation on Violence: <a href="https://www.youtube.com/watch?v=BmVQ3YcMUuc" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=BmVQ3YcMUuc</a> (12 min 25 sec)<br />
</li>
<li>The Very Eye of Night: <a href="https://www.youtube.com/watch?v=u6ppBqHIb6Y" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=u6ppBqHIb6Y</a> (14 min 36 sec)<br />
</li>
</ul>
]]></content:encoded>
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			<title><![CDATA["Women Create" - event for cancelled and at risk female & feminist artists in London]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=1226</link>
			<pubDate>Tue, 27 May 2025 08:12:27 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=346">befana</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=1226</guid>
			<description><![CDATA[<a href="https://www.womencreateinternational.com/" target="_blank" rel="noopener" class="mycode_url">https://www.womencreateinternational.com/</a>]]></description>
			<content:encoded><![CDATA[<a href="https://www.womencreateinternational.com/" target="_blank" rel="noopener" class="mycode_url">https://www.womencreateinternational.com/</a>]]></content:encoded>
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			<title><![CDATA[Woman makes art out of litter from national parks]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=962</link>
			<pubDate>Wed, 09 Apr 2025 14:51:37 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=147">Elsacat</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=962</guid>
			<description><![CDATA[<a href="https://www.wfmz.com/news/good-news/women-makes-art-out-of-litter-from-national-parks/article_999dd788-f4eb-11ef-9429-338467ff8dbe.html" target="_blank" rel="noopener" class="mycode_url">https://www.wfmz.com/news/good-news/women-makes-art-out-of-litter-from-national-parks/article_999dd788-f4eb-11ef-9429-338467ff8dbe.html</a>]]></description>
			<content:encoded><![CDATA[<a href="https://www.wfmz.com/news/good-news/women-makes-art-out-of-litter-from-national-parks/article_999dd788-f4eb-11ef-9429-338467ff8dbe.html" target="_blank" rel="noopener" class="mycode_url">https://www.wfmz.com/news/good-news/women-makes-art-out-of-litter-from-national-parks/article_999dd788-f4eb-11ef-9429-338467ff8dbe.html</a>]]></content:encoded>
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			<title><![CDATA[Kat Shaw Artist]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=916</link>
			<pubDate>Sun, 30 Mar 2025 22:26:48 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=300">Myrth</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=916</guid>
			<description><![CDATA[I have followed Kat Shaw for a few years now, and I purchased some goddess oracle cards from her. She is fighting the patriarchy with every nude she paints, and she has had one page after another banned. Female nipples are obscene, don’t you know?<br />
<br />
Anyhow, I know that female nudes can be controversial. But her work is in no way pornographic. It is a reclamation of self-love and appreciation for our own beauty against the harsh judgment of a patriarchal society.<br />
<br />
<a href="https://www.neunmagazine.com/post/painting-power-art-healing-and-defying-the-patriarchy" target="_blank" rel="noopener" class="mycode_url">https://www.neunmagazine.com/post/painting-power-art-healing-and-defying-the-patriarchy</a>]]></description>
			<content:encoded><![CDATA[I have followed Kat Shaw for a few years now, and I purchased some goddess oracle cards from her. She is fighting the patriarchy with every nude she paints, and she has had one page after another banned. Female nipples are obscene, don’t you know?<br />
<br />
Anyhow, I know that female nudes can be controversial. But her work is in no way pornographic. It is a reclamation of self-love and appreciation for our own beauty against the harsh judgment of a patriarchal society.<br />
<br />
<a href="https://www.neunmagazine.com/post/painting-power-art-healing-and-defying-the-patriarchy" target="_blank" rel="noopener" class="mycode_url">https://www.neunmagazine.com/post/painting-power-art-healing-and-defying-the-patriarchy</a>]]></content:encoded>
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			<title><![CDATA[International Women’s Day in Gaming – Six Incredible Game Makers That Made Our Year]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=806</link>
			<pubDate>Tue, 11 Mar 2025 19:52:39 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=141">komorebi</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=806</guid>
			<description><![CDATA[<a href="https://www.siliconera.com/international-womens-day-in-gaming-six-incredible-game-makers-that-made-our-year/" target="_blank" rel="noopener" class="mycode_url">Siliconera</a>, March 8, 2025.<br />
<br />
(I wasn't able to verify all of them, but at least some of these are actually women.)<br />
<br />
I hadn't heard of some of these, but they seem interesting! And I can vouch for <span style="font-style: italic;" class="mycode_i">Metaphor: ReFantazio</span>; that was an awesome JRPG.]]></description>
			<content:encoded><![CDATA[<a href="https://www.siliconera.com/international-womens-day-in-gaming-six-incredible-game-makers-that-made-our-year/" target="_blank" rel="noopener" class="mycode_url">Siliconera</a>, March 8, 2025.<br />
<br />
(I wasn't able to verify all of them, but at least some of these are actually women.)<br />
<br />
I hadn't heard of some of these, but they seem interesting! And I can vouch for <span style="font-style: italic;" class="mycode_i">Metaphor: ReFantazio</span>; that was an awesome JRPG.]]></content:encoded>
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			<title><![CDATA[Mayumi Oda, the "artist of goddesses"]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=498</link>
			<pubDate>Mon, 30 Dec 2024 05:40:34 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=141">komorebi</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=498</guid>
			<description><![CDATA[<a href="https://mayumioda.net/" target="_blank" rel="noopener" class="mycode_url">mayumioda.net</a><br />
<br />
I saw her work today at a museum and wanted to share it with you guys! :) Here are the pictures I took of the exhibits and their descriptions. (There seems to be a file upload limit per post so I'll try making more than one!)<br /><!-- start: postbit_attachments_attachment -->
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	<div class="col-auto align-self-center">

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<img src="https://clovenhooves.org/images/attachtypes/image.png" title="JPG Image" style="height: 16px; width: 16px" border="0" alt=".jpg" />
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	<div class="col align-self-center">
		<a href="attachment.php?aid=23" target="_blank" title="">pic1.jpg</a> <br />
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			<content:encoded><![CDATA[<a href="https://mayumioda.net/" target="_blank" rel="noopener" class="mycode_url">mayumioda.net</a><br />
<br />
I saw her work today at a museum and wanted to share it with you guys! :) Here are the pictures I took of the exhibits and their descriptions. (There seems to be a file upload limit per post so I'll try making more than one!)<br /><!-- start: postbit_attachments_attachment -->
<div class="row mb-2">
	<div class="col-auto align-self-center">

<!-- start: attachment_icon -->
<img src="https://clovenhooves.org/images/attachtypes/image.png" title="JPG Image" style="height: 16px; width: 16px" border="0" alt=".jpg" />
<!-- end: attachment_icon -->
		
	</div>
	<div class="col align-self-center">
		<a href="attachment.php?aid=23" target="_blank" title="">pic1.jpg</a> <br />
		<span class="text-muted" style="font-size: 12px">Size: 260.35 KB / Downloads: 169</span>
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<!-- end: postbit_attachments_attachment -->]]></content:encoded>
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			<title><![CDATA[Bolette Berg and Marie Høeg - photographers]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=400</link>
			<pubDate>Sun, 24 Nov 2024 22:07:04 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=141">komorebi</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=400</guid>
			<description><![CDATA[<a href="https://www.cnn.com/2023/06/27/style/bolette-berg-marie-hoeg-portraits-untold-art-history/index.html" target="_blank" rel="noopener" class="mycode_url">This Norwegian couple’s playful, gender-defying portraits were discovered by chance, decades after their deaths</a> - CNN (June 27, 2023)<br />
<br />
The article has more awesome pictures. :) This lesbian couple ran a photography studio in Norway; these private portraits of them and their family and friends were found decades after their deaths.<br />
<br />
<img src="https://media.cnn.com/api/v1/images/stellar/prod/230623142929-05-marie-heg-bolette-berg-untold-art-history.jpg?q=w_2000,c_fill" loading="lazy"  alt="[Image: 230623142929-05-marie-heg-bolette-berg-u...000,c_fill]" class="mycode_img" />]]></description>
			<content:encoded><![CDATA[<a href="https://www.cnn.com/2023/06/27/style/bolette-berg-marie-hoeg-portraits-untold-art-history/index.html" target="_blank" rel="noopener" class="mycode_url">This Norwegian couple’s playful, gender-defying portraits were discovered by chance, decades after their deaths</a> - CNN (June 27, 2023)<br />
<br />
The article has more awesome pictures. :) This lesbian couple ran a photography studio in Norway; these private portraits of them and their family and friends were found decades after their deaths.<br />
<br />
<img src="https://media.cnn.com/api/v1/images/stellar/prod/230623142929-05-marie-heg-bolette-berg-untold-art-history.jpg?q=w_2000,c_fill" loading="lazy"  alt="[Image: 230623142929-05-marie-heg-bolette-berg-u...000,c_fill]" class="mycode_img" />]]></content:encoded>
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			<title><![CDATA[Anastasia Trusova, Artist]]></title>
			<link>https://clovenhooves.org/showthread.php?tid=264</link>
			<pubDate>Sun, 15 Sep 2024 13:34:03 +0000</pubDate>
			<dc:creator><![CDATA[<a href="https://clovenhooves.org/member.php?action=profile&uid=9">Lily</a>]]></dc:creator>
			<guid isPermaLink="false">https://clovenhooves.org/showthread.php?tid=264</guid>
			<description><![CDATA[Absolutely gorgeous textured landscape paintings.<br />
<br />
Her website: <a href="https://atrusovaartist.com/" target="_blank" rel="noopener" class="mycode_url">https://atrusovaartist.com/</a>]]></description>
			<content:encoded><![CDATA[Absolutely gorgeous textured landscape paintings.<br />
<br />
Her website: <a href="https://atrusovaartist.com/" target="_blank" rel="noopener" class="mycode_url">https://atrusovaartist.com/</a>]]></content:encoded>
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